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LOCATION
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SOUND
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VISION
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ACTORS
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PROPS
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NOTES
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CHARLES’ HOUSE
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JAPANESE MUSIC
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TITLE SEQUENCE- WOMAN IN KEMONO TWIRLS, VIDEO FADES
IN AND OUT AT DIFFERENT ANGLES, GIRL HOLDS KATANA (SWORD) SWORD. NAMES OF THE
CAST IN TEXT FADES IN AND OUT.
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WOMAN
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KATANA, KEMONO
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N/A
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INSIDE THE APARTMENT
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SHOWER, BRUSHING TEETH, DOORBELL
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HARD CUT- MAX (THE DIPLOMATS SON) HAS HAD A SHOWER AND GETTING
DRESSED TO SEE HIS FRIENDS, THIS INCLUDES A MID SHOT IN FROM BEHIND HIM
LOOKING IN THE MIRROR AND CLOSE UPS ON MAX WAHSING HIS HANDS AND THEN DRYINGG
HEM ON A TOWEL. THERE IS THEN A HARD CUT TO MAX PUTTING HIS BLACK T-SHIRT ON,
THERE IS THEN A HARD CUT TO MAX TEXTING HIS DAD WHO HAD BEEN MISSING FOR A
COUPLE DAYS. THE DOORBELL RINGS, WE SEE MAX WALK DOWN THE CORRIDOR TO OPEN THE
DOOR.
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MAX
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BATHROOM, TOOTHBRUSH, MIRROR.
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SHOWER ROOM IS STEAMY, FAST HARD CUTS BETWEEN MAX GETTING READY.
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OUTSIDE THE APARTMENT DOOR
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VOICEOVER- DIALOGUE OF GREETING EACH OTHER
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THERE IS A LONG SHOT OF THE TWO FRIENDS STANDING
INFRONT OF THE APARTMENT DOOR, MAX OPENS THE DOOR AND LETS THEM IN.
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TWO FRIENS, MAX
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N/A
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IN THE APARTMENT
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MUSIC PLAYS IN THE BACKGROUND
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POINT OF VIEW SHOT FROM MAX’S PERSPECTIVE, THEY SIT DOWN AT A
COUNTERTOP ISLAND, MAX CHECKS THE FRIDGE- SHOT FROM INSIDE THE FRIDGE. MAX
TELLS HIS FRIENDS THAT THERE IS NO FOOD IN THE FRIDGE- THIS IS SHOT AS AN
OVER THE SHOULDER SHOT WHICH THEN GOES INTO A REACTION SHOT AS ONE OF THE FRIENDS
SUGGESTS A TAKEAWAY, THEY THEN GO TO THE ROOF.
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TWO FRIENDS, MAX
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FRIDGE, TABLE, CHAIRS
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N/A
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ON THE ROOF OF THE APARTMENT.
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CITY LIFE- CARS.
LOUD KNOCK ON DOOR.
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THEY GO TO THE ROOF, SITTING NEXT TO EACH OTHER AS
SILHOUETTES. THE THREE TEENAGERS ARE TALKING. THIS IS SHOT BY A LONGSHOT WITH
THE LONDON CITY IN THE BACKGROUND. THERE IS A LOUD BANGING ON THE DOOR.
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TWO FRIENDS , MAX
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SOFA
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NIGHT TIME
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IN THE APARTMENT
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FOOTSTEPS
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POINT OF VIEW SHOT OF MAXWALKING TO THE DOOR, FOCUSING IN ON HIS
FEET.
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MAX
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IT IS LIGHT IN THE APARTMENT
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IN THE APARTMENT
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SILENCE AS HE COMES OUT OTHER THAN MAX’S ECHOING
FOOTSTEPS.
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MAX OPENS THE DOOR OF THE APARTMENT AND WE SEE THE
KIDNAPPERS FOR A SECOND BEFORE A BAG IS PLACED OVER THE CAMERA (POV SHOT).
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MAX
KIDNAPPER
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BLACK BAG
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IN WAREHOUSE
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DEEP BREATH AS BEEN ALMOST DROWNED
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MAX’S HEAD IS PULLED OUT A BUCKET OF WATER TO RESEMBLE
DROWNING/TORCHOR
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MAX
KIDNAPPERS
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BUCKET OF WATER
ZIP TIES
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DARK LIGHTING
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WAREHOUSE
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KIDNAPPER 1 SAYS ‘WHERE IS HE?’
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MAX IS STRAPPED TO CHAIR
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MAX
KIDNAPPER
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CHAIR
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DARK LIGHTING
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WAREHOUSE
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VOICE OVER - ‘WE HAVE YOUR SON’
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MYSTERIOUSE MAN LIFTS PHONE TO FACE- HIS FACE IS OVERCAST BY A SHADOW
HIDING HIS IDENTITY.
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KIDNAPPER
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PHONE
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DARK LIGHTING
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Excellent evidence of careful planning and thoughtful decision-making about your film opening, in order to develop the narrative logically whilst stimulating suspense and excitement.
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